![]() ![]() Again I want to thank Chris that he, despite all the seeming obviousness of this incident, hasn't shown prejudice, and patiently handled this conflict. My official introduction to CA (I am referring to registration as a member of the forum, as I have many years of browsing it without registration) began very interesting. I initially want to assure all of you that we are talking here not about vinyl, but only about digital sound, and even more about computer digital sound. According to my observations, many members of CA have prejudices against these categories, and these prejudices have the right to exist. Vinyl, LP - these are concepts that cause many of us, fans of digital audio, to usually smile, and often contemptuously. CCįirst of all I want to thank Chris, that he decided to open a new regular column on the subject, which can cause a lot of controversy and debate. I think you'll find both Igor and the series refreshing. What follows is an introduction of the series' author. This series will focus on both digital and analog audio, in addition each article will include terrific audio samples from Igor's project. The upcoming topics include dynamic range, loudness wars, high resolution digital, disadvantages of vinyl and myths, clocks and sample rates, mechanical reflections in vinyl and reconstruction of the digital signal in real time, among others. Editor's Note: This is the first article in CA's new "Digital Vinyl" series. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |